You have clarified your topic and collected as many ideas as you can. You have specific scenes and details you want to use. The first thing to do is give yourself a short deadline. Make sure you leave enough time to write several drafts; get feedback from a teacher, relative, or friend; make revisions based on those comments; take a few days off; and proofread several times.
Arnold Samuelson was an adventurous year-old. He had been born in a sod house in North Dakota to Norwegian immigrant parents. After college he wanted to see the country, so he packed his violin in a knapsack Hemingway writing desk thumbed rides out to California.
He sold a few stories about his travels to the Sunday Minneapolis Tribune. Samuelson was so impressed with the story that he decided to travel 2, miles to meet Hemingway and ask him for advice.
He hitched his way to Florida and then hopped a freight train from the mainland to Key West. Riding on top of a boxcar, Samuelson could not see the railroad Hemingway writing desk underneath him--only miles and miles of water as the train left the mainland.
Most of the cigar factories had shut down and the fishing was poor. That night he went to sleep on the turtling dock, using his knapsack as a pillow. The ocean breeze kept the mosquitos away. A few hours later a cop woke him up and invited him to sleep in the bull pen of the city jail.
After his first night in the mosquito-infested jail, he went looking for the town's most famous resident. When I knocked on the front door of Ernest Hemingway's house in Key West, he came out and stood squarely in front of me, squinty with annoyance, waiting for me to speak.
I had nothing to say. I couldn't recall a word of my prepared speech. He was a big man, tall, narrow-hipped, wide-shouldered, and he stood with his feet spread apart, his arms hanging at his sides.
He was crouched forward slightly with his weight on his toes, in the instinctive poise of a fighter ready to hit. After an awkward moment, Samuelson explained that he had bummed his way from Minneapolis just to see him. I liked it so much I came down to have a talk with you. I thought you wanted to visit.
After another night in jail, Samuelson returned to the house and found Hemingway sitting in the shade on the north porch, wearing khaki pants and bedroom slippers. He had a glass of whiskey and a copy of the New York Times. The two men began talking.
Sitting there on the porch, Samuelson could sense that Hemingway was keeping him at a safe distance: Almost like talking to a man out on a street. Hemingway offered some advice. Leave a little for the next day.
The main thing is to know when to stop. Don't wait till you've written yourself out. When you're still going good and you come to an interesting place and you know what's going to happen next, that's the time to stop. Then leave it alone and don't think about it; let your subconscious mind do the work.
The next morning, when you've had a good sleep and you're feeling fresh, rewrite what you wrote the day before. When you come to the interesting place and you know what is going to happen next, go on from there and stop at another high point of interest.
That way, when you get through, your stuff is full of interesting places and when you write a novel you never get stuck and you make it interesting as you go along. Samuelson said he had not. You ought to read it. We'll go up to my workshop and I'll make out a list you ought to read.
I followed him up an outside stairway into his workshop, a square room with a tile floor and shuttered windows on three sides and long shelves of books below the windows to the floor. In one corner was a big antique flat-topped desk and an antique chair with a high back.
He found a pen and began writing on a piece of paper and during the silence I was very ill at ease. I realized I was taking up his time, and I wished I could entertain him with my hobo experiences but thought they would be too dull and kept my mouth shut.
I was there to take everything he would give and had nothing to return.Hardly anything does one’s mental, spiritual, and creative health more good than resolving to read more and write better.
Today’s reading list addresses these parallel aspirations. And since the number of books written about reading and writing likely far exceeds the reading capacity of a single.
The Paris Wife (Random House Reader's Circle Deluxe Reading Group Edition): A Novel - Kindle edition by Paula McLain. Download it once and read it on your Kindle device, PC, phones or tablets.
Use features like bookmarks, note taking and highlighting while reading The Paris Wife (Random House Reader's Circle Deluxe Reading Group Edition): A Novel. Clarke Historical Library on the campus of Central Michigan University.
Ernest Hemingway® The newest Ernest Hemingway® Collection of home furnishings weaves together exotic elements with unique story lines from around the world.
Writing 7/15/02 * Work on reading skills so that students can present their writings in the best manner. All the assignments except the first one using Haiku's are presented orally by the students before they turn them in.
Kierkegaard apparently did his best writing standing up, as did Charles Dickens, Winston Churchill, Vladimir Nabokov and Virginia Woolf. Also put Ernest Hemingway in the standing desk club too. In , George Plimpton interviewed Hemingway for the literary journal he co-founded the year before.